Match Point

1. Guilt

Nola walks off, from the innuendos of the mother of her fiancé, into the rain in the countryside. Chris, boyfriend of Nola’s prospective sister in-law, sees her and follows. Then:

Nola: I don't think this is a good idea. You shouldn't have followed me here.
Chris: Do you feel guilty?
Nola: Do you?

And they kiss in the rain.

2. Lust

Chris: I’m contemplating leaving my wife for another woman. But when the time came to tell her I couldn’t do it. It’s crazy. I can see no real future with this other woman and I’ve a very comfortable life with my wife.
Friend: Ya but then you don’t love her.
Chris: I’m not saying I don’t love her. Just not the way I feel about this other woman. Maybe it’s finally the difference between love and lust.

3. Greed

Chris: I don’t fool myself that I haven’t got used to a certain kind of living. Am I supposed to give it all up?

4. Luck

Chris: The man who said "I'd rather be lucky than good" saw deeply into life. People are often afraid to realize how much of an impact luck plays. There are moments in a tennis match where the ball hits the top of the net, and for a split second, remains in mid-air. With a little luck, the ball goes over, and you win. Or maybe it doesn't, and you lose.

Sometimes luck follows you like a faithful puppy; for the aspiring criminal luck’s like the Hand of God. But guilt is a permanent scar; you’d rather be apprehended and punished than see it everyday in your reflection. Guilt can’t be washed off the face. On the contrary I wonder what are the possibilities if luck helps us in our transgressions – little and big. If we get that little push at the hour of the crime and then things turn out favourably can’t we be led further into our ignoble pursuits?

Match Point is a welcome departure from Woody Allen’s romantic, neurotic comedies although the latter are brilliant in their genre. It’s as the critics say: ‘darker’. I feel at times reviews just shoot over the heads with their fancy talk (called ‘spiel’ which is what I want to avoid to make my point) but then if you watch this movie carefully you’re bound to come up with little clues - that otherwise would go unnoticed – that just make it jump the threshold between a good and a better-than-good movie. Like which book Chris is shown reading at one point and why when Nola says that her building has been burglarized and the woman down the hall has mice it’s something to be kept in mind. The plot is tight and has been lent an ingenious tweak at the end.

The title had led me to believe it was something else altogether but you never know. I’ve practically said nothing about the characters and the setting because I believe the message is sweeping. London, Chris and Nola are just excuses to show human beings as they are wherever they are. It could happen to your best friend if not to you (if you're relieved at reading this don't be surprised)

THIS is for starters.